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Italy-Turin, Savoia's kings heritage

166 images Created 20 Sep 2010

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  • Palazzina di caccia di Stupinigi. This famous residence was planned in 1729 by Filippo Juvarra for Vittorio Amedeo II and it is surrounded by a beautiful park. It has an original four-wings plant, placed on the plan of a Saint Andrea cross, which branch off from the elliptical central hall.
    em7110001.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110002.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110004.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110005.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110006.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110008.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110009.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110012.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110014.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7110018.jpg
  • Palazzo Carignano is one of the Guarini's most original creations. It was built in 1679-1685 with an undulating baroque facade, a majestic atrium and a lovely gardens. The Palace of the Savoy - Carignano line has staged many of the most important events in the history of Italy and Piedmont. The Palace now houses the Museo Nazionale del Risorgimento.
    em7110030.jpg
  • Palazzo Carignano is one of the Guarini's most original creations. It was built in 1679-1685 with an undulating baroque facade, a majestic atrium and a lovely gardens. The Palace of the Savoy - Carignano line has staged many of the most important events in the history of Italy and Piedmont. The Palace now houses the Museo Nazionale del Risorgimento.
    em7110031.jpg
  • Palazzo Carignano is one of the Guarini's most original creations. It was built in 1679-1685 with an undulating baroque facade, a majestic atrium and a lovely gardens. The Palace of the Savoy - Carignano line has staged many of the most important events in the history of Italy and Piedmont. The Palace now houses the Museo Nazionale del Risorgimento.
    em7110033.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. <br />
Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7110037.jpg
  • Castello di Moncalieri (Castle of Moncalieri) The unique and squared mass of this castle dominates the ancient village. It is a building of the fifteenth century but it has been completely rebuilt since 1619 thanks to the following interventions of Carlo and Amedeo of Castellamonte, Filippo Juvarra and Benedetto Alfieri.
    em7110040.jpg
  • Palazzina di caccia di Stupinigi, the stables. This famous residence was planned in 1729 by Filippo Juvarra for Vittorio Amedeo II and it is surrounded by a beautiful park. It has an original four-wings plant, placed on the plan of a Saint Andrea cross, which branch off from the elliptical central hall.
    em7110041.jpg
  • Reggia di Venaria Reale, restoration works. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7110043.jpg
  • he monument dedicated to Carlo Alberto, the controversial king of Sardinia's Reign that started the process for the Unity between doubts and bad luck. The king is riding and on the pedestal there are four bas-reliefs that portraied the battles of Goito and the abdication and the exile of Santa Lucia at Oporto, in Portugal.
    em7110131.jpg
  • he monument dedicated to Carlo Alberto, the controversial king of Sardinia's Reign that started the process for the Unity between doubts and bad luck. The king is riding and on the pedestal there are four bas-reliefs that portraied the battles of Goito and the abdication and the exile of Santa Lucia at Oporto, in Portugal.
    em7110132.jpg
  • he monument dedicated to Carlo Alberto, the controversial king of Sardinia's Reign that started the process for the Unity between doubts and bad luck. The king is riding and on the pedestal there are four bas-reliefs that portraied the battles of Goito and the abdication and the exile of Santa Lucia at Oporto, in Portugal.
    em7110133.jpg
  • The Royal Armoury of Turin is one of the most conspicuous collection of arms in the world. It was inaugurated by Carlo Alberto of Savoy in 1837, and it even conserves numerous types of knifes and firearms and armours.
    em7110139.jpg
  • The church of San Lorenzo, one of the masterpieces of the european baroque. It was designed by Guarino Guarini and hasn't a facade because the Dukes of Savoia, that had the symbol of their power in piazza Castello, didn't want that the observer could be distracted by other elements. The dome of the church of San Lorenzo, is the only visible sign from the outside of the church.
    em7110164.jpg
  • the restaurant of Cambio, view from Camillo di Cavour office in Palazzo Carignano. The Cambio is one of the most prestigious and old restaurants of Turin, frequented by the intellectuals and by Camillo Benso di Cavour in the 19th century.
    em7110530.jpg
  • the restaurant of Cambio, one of the most prestigious and old restaurants of Turin, frequented by the intellectuals and by Camillo Benso di Cavour in the 19th century.
    em7110535.jpg
  • the restaurant of Cambio, one of the most prestigious and old restaurants of Turin, frequented by the intellectuals and by Camillo Benso di Cavour in the 19th century.
    em7110544.jpg
  • the restaurant of Cambio, one of the most prestigious and old restaurants of Turin, frequented by the intellectuals and by Camillo Benso di Cavour in the 19th century.
    em7110545.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114962.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114963.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114966.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114968.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114969.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114971.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114972.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114973.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114974.jpg
  • Museum of Contemporary Art, Castello di Rivoli Castello di Rivoli, huge baroque-style castle placed in a strategic position at the entrance of the Susa Valley in 14th century, was rebuilt by the architects Ascanio Vitozzi, Carlo and Amedeo di Catellamonte, Michelangelo Garove and by the great Filippo Juvarra in 1715-1727; Juvarra worked on an ambitious project of enlargement, but it was left incompleted and its memory remains in the so-called Manica Lunga. .Castello di Rivoli houses the Museum of Contemporary Art, the most important Italian museum in its category.
    em7114975.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114979.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114982.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114983.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114984.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114985.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114988.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114989.jpg
  • Palazzo Carignano is one of the Guarini's most original creations. It was built in 1679-1685 with an undulating baroque facade, a majestic atrium and a lovely gardens. The Palace of the Savoy - Carignano line has staged many of the most important events in the history of Italy and Piedmont. The Palace now houses the Museo Nazionale del Risorgimento.
    em7115041.jpg
  • The Basilica of Superga was commisioned by Amedeo II of Savoy: it was designed by Filippo Juvarra in 1717 and completed in 1731. It was built to fulfil a vow made to the Virgin Mary - to whom a chapel is dedicated on the hill - by the Duke on the eve of his victory over the French, who were besieging the city, on september 1706. I
    em7115106.jpg
  • The Basilica of Superga was commisioned by Amedeo II of Savoy: it was designed by Filippo Juvarra in 1717 and completed in 1731. It was built to fulfil a vow made to the Virgin Mary - to whom a chapel is dedicated on the hill - by the Duke on the eve of his victory over the French, who were besieging the city, on september 1706. I
    em7115108.jpg
  • The Basilica of Superga was commisioned by Amedeo II of Savoy: it was designed by Filippo Juvarra in 1717 and completed in 1731. It was built to fulfil a vow made to the Virgin Mary - to whom a chapel is dedicated on the hill - by the Duke on the eve of his victory over the French, who were besieging the city, on september 1706. I
    em7115110.jpg
  • The Basilica of Superga was commisioned by Amedeo II of Savoy: it was designed by Filippo Juvarra in 1717 and completed in 1731. It was built to fulfil a vow made to the Virgin Mary - to whom a chapel is dedicated on the hill - by the Duke on the eve of his victory over the French, who were besieging the city, on september 1706. I
    em7115113.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7115581.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115587.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115589.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115590.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115591.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7116502.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7116530.jpg
  • Piazza Castello, Palazzo Reale, monumento ai Dioscuri e cupola della chiesa di San Lorenzo del Guarini.
    em7116531.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116533.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7116535.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116588.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116598.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116599.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116600.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116605.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116608.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116610.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116612.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116613.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116616.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116617.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116618.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116620.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116621.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116622.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116625.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116628.jpg
  • Palazzina di caccia di Stupinigi. This famous residence was planned in 1729 by Filippo Juvarra for Vittorio Amedeo II and it is surrounded by a beautiful park. It has an original four-wings plant, placed on the plan of a Saint Andrea cross, which branch off from the elliptical central hall.
    em7116850.jpg
  • Reggia di Venaria Reale, the gardens with the Trees-sculptures (Sculture Fluide) of Giuseppe Penone. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116876.jpg
  • Reggia di Venaria Reale, the gardens with the Trees-sculptures (Sculture Fluide) of Giuseppe Penone. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116880.jpg
  • Reggia di Venaria Reale, gardens. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116882.jpg
  • Reggia di Venaria Reale, Clock Tower entrance. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116885.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116887.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116890.jpg
  • Reggia di Venaria Reale, Juvarra gardens. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116900.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116917.jpg
  • Reggia di Venaria Reale, reconstruction of daily life. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116923.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116925.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116927.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116929.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116930.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116933.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116935.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116936.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116937.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116940.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116941.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116942.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116943.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116944.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116945.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116947.jpg
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