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Parma, Via Francigena, the pilgrim's trail to Rome

107 images Created 30 Aug 2016

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  • Fidenza. The cathedral, built in the 12th century and dedicated to Domninus of Fidenza,  is an example of Lombard-Romanesque churches of the 11th to 13th centuries in northern Italy.
    em7139509.jpg
  • Fidenza. The cathedral, built in the 12th century and dedicated to Domninus of Fidenza,  is an example of Lombard-Romanesque churches of the 11th to 13th centuries in northern Italy.
    em7139511.jpg
  • Fidenza. The cathedral, built in the 12th century and dedicated to Domninus of Fidenza,  is an example of Lombard-Romanesque churches of the 11th to 13th centuries in northern Italy.
    em7139518.jpg
  • Fidenza. The cathedral, built in the 12th century and dedicated to Domninus of Fidenza,  is an example of Lombard-Romanesque churches of the 11th to 13th centuries in northern Italy. The crypt.
    em7139523.jpg
  • Fidenza. The cathedral, built in the 12th century and dedicated to Domninus of Fidenza,  is an example of Lombard-Romanesque churches of the 11th to 13th centuries in northern Italy. The crypt.
    em7139525.jpg
  • Fidenza. The cathedral, built in the 12th century and dedicated to Domninus of Fidenza,  is an example of Lombard-Romanesque churches of the 11th to 13th centuries in northern Italy.
    em7139548.jpg
  • Fidenza. The cathedral, built in the 12th century and dedicated to Domninus of Fidenza,  is an example of Lombard-Romanesque churches of the 11th to 13th centuries in northern Italy.
    em7139553.jpg
  • Fidenza,The church of San Tommaso di Cabriolo, in the area bordering Borgo San Donnino, belonged to the Order of the Knights Templar.
    em7139556.jpg
  • Noceto, the castle.
    em7139561.jpg
  • Noceto, historical center.
    em7139572.jpg
  • Fiorenzuola d'Arda was one of the main centers of the area during the Middle Ages.along the pilgrimage trail of Via Francigena. Collegiata of S Fiorenzo, built in the 14th century and remade in the late 15th/early 16th centuries.
    em7139575.jpg
  • Fiorenzuola d'Arda was one of the main centers of the area during the Middle Ages.along the pilgrimage trail of Via Francigena. Collegiata of S Fiorenzo, built in the 14th century and remade in the late 15th/early 16th centuries.
    em7139578.jpg
  • Fiorenzuola d'Arda was one of the main centers of the area during the Middle Ages.along the pilgrimage trail of Via Francigena. Collegiata of S Fiorenzo, built in the 14th century and remade in the late 15th/early 16th centuries.
    em7139580.jpg
  • Fiorenzuola d'Arda was one of the main centers of the area during the Middle Ages.along the pilgrimage trail of Via Francigena. Collegiata of S Fiorenzo, built in the 14th century and remade in the late 15th/early 16th centuries.
    em7139587.jpg
  • Fiorenzuola d'Arda was one of the main centers of the area during the Middle Ages.along the pilgrimage trail of Via Francigena. Collegiata of S Fiorenzo, built in the 14th century and remade in the late 15th/early 16th centuries.
    em7139611.jpg
  • Fiorenzuola d'Arda was one of the main centers of the area during the Middle Ages.along the pilgrimage trail of Via Francigena. Collegiata of S Fiorenzo, built in the 14th century and remade in the late 15th/early 16th centuries.
    em7139641.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139650.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139660.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139687.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139689.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139692.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139694.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139706.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex. The church was erected during the 12th and 13th-centuries, but was refurbished during the 15th century. The square 13th century cloister has a proliferation of arched openings, flanked by rose marble paired columns.
    em7139710.jpg
  • Abbey of Chiaravalle della Colomba. a 12th-century Cistercian monastic complex.
    em7139714.jpg
  • Medesano,War memorial near the town.The amazing thing it's that the town is far from the sea.
    em7139726.jpg
  • Medesano,War memorial near the town.The amazing thing it's that the town is far from the sea.
    em7139752.jpg
  • Landscape between Medesano and Fornovo Taro.
    em7139761.jpg
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  • Varano Marchesi Museum. The Roccalanzona's stone. The stone is a well realised copy of the original preserved  in Parma's National Gallery. The text illustrates the indiction of the Jubilee by Boniface VIII document and explain the ways and conditions for the acquisition of indulgence.
    em7139773.jpg
  • Varano Marchesi Museum. The Roccalanzona's stone. The stone is a well realised copy of the original preserved  in Parma's National Gallery. The text illustrates the indiction of the Jubilee by Boniface VIII document and explain the ways and conditions for the acquisition of indulgence.
    em7139787.jpg
  • Fornovo di Taro, Road signal for the pilgrims along the Via Francigena.
    em7139791.jpg
  • Fornovo di Taro, Road signal for the pilgrims along the Via Francigena.
    em7139793.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139800.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139805.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139806.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139814.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139815.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139818.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139821.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139822.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139827.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139831.jpg
  • Fornovo di Taro, two pilgrims from South Africa, Regine Kröger (left) and Therese de Vries (right) inside the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139839.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century. The main altarpiece depicts the Life of St Margaret.
    em7139840.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century. The main altarpiece depicts the Life of St Margaret.
    em7139841.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century. The main altarpiece depicts the Life of St Margaret.
    em7139843.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century. The main altarpiece depicts the Life of St Margaret.
    em7139844.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century. The main altarpiece depicts the Life of St Margaret.
    em7139873.jpg
  • Fornovo di Taro, the Romanesque church of Santa Maria Assunta. A church at the site is documented since 854, and was initially rebuilt in the 11th century. The bell-tower was added in 1302. Part of a carved stone pulpit from the 11th century are now part of the facade. Other statuary dates from the 13th century.
    em7139899.jpg
  • Fornovo di Taro, the river Taro.
    em7139902.jpg
  • Fornovo di Taro, the Via Francigena near the village of Caselle
    em7139906.jpg
  • Sivizzano hospice in the old Benedectine monastery of San Roberto ultra Monres, of which only the cloister remains in the centre of the village.
    em7139908.jpg
  • Sivizzano hospice in the old Benedectine monastery of San Roberto ultra Monres, of which only the cloister remains in the centre of the village.
    em7139914.jpg
  • Sivizzano hospice in the old Benedectine monastery of San Roberto ultra Monres. The pilgrim's credential, Credenziale, is the fundamental document for the pilgrim. They need a stamp in any hostel and some utilise the same paper of Santiago de Compostela pilgrimage.
    em7139934.jpg
  • Sivizzano hospice in the old Benedectine monastery of San Roberto ultra Monres, of which only the cloister remains in the centre of the village.
    em7139940.jpg
  • Sivizzano hospice in the old Benedectine monastery of San Roberto ultra Monres, of which only the cloister remains in the centre of the village.
    em7139944.jpg
  • Sivizzano village.
    em7139946.jpg
  • em7139947.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7139951.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7139956.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7139970.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7139983.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7140017.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7140020.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7140043.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7140050.jpg
  • Bardone, the Romanesque church of Santa<br />
Maria Assunta di Bardone. From the 12th century, various pieces<br />
of its rich trove of sculpture serve as testimony,<br />
such as the bas-relief slabs depicting the<br />
Deposition and the Coronation of the Virgin,<br />
as well as a splendid statue of woman in the<br />
form of a caryatid, used as a holy water stoup.
    em7140074.jpg
  • Terenzo. On this village, the last before the mountains, stopped pilgrims, armies and kings.
    em7140078.jpg
  • Terenzo. On this village, the last before the mountains, stopped pilgrims, armies and kings.
    em7140080.jpg
  • An alternate pilgrim road passed Mount Prinzera on the<br />
western side of the Via Francigena in what is now an “Oriented Nature Reserve” that  protects the mountain<br />
chain composed of ophiolitcs rocks.
    em7140091.jpg
  • An alternate pilgrim road passed Mount Prinzera on the<br />
western side of the Via Francigena in what is now an “Oriented Nature Reserve” that  protects the mountain<br />
chain composed of ophiolitcs rocks.
    em7140095.jpg
  • An alternate pilgrim road passed Mount Prinzera on the<br />
western side of the Via Francigena in what is now an “Oriented Nature Reserve” that  protects the mountain<br />
chain composed of ophiolitcs rocks.
    em7140099.jpg
  • An alternate pilgrim road passed Mount Prinzera on the<br />
western side of the Via Francigena in what is now an “Oriented Nature Reserve” that  protects the mountain<br />
chain composed of ophiolitcs rocks.
    em7140100.jpg
  • Via Francigena near the Prinzera mountain.
    em7140103.jpg
  • Via Francigena between Terenzo and Cassio villages. The pilgrims trail climbs the mountain far from the road.
    em7140118.jpg
  • Via Francigena , the village of Castello di Casola.
    em7140133.jpg
  • Via Francigena , the village of Cassio, a hamlet of medieval origin with an<br />
especially interesting town-planning structure composed of a central public street flanked<br />
by a continuous curtain of buildings that were<br />
once homes and shops.
    em7140141.jpg
  • Via Francigena , the village of Cassio, a hamlet of medieval origin with an<br />
especially interesting town-planning structure composed of a central public street flanked<br />
by a continuous curtain of buildings that were<br />
once homes and shops.
    em7140144.jpg
  • Via Francigena , entry of Via Francigena in Cassio village.
    em7140147.jpg
  • Via Francigena , the village of Cassio, a hamlet of medieval origin with an<br />
especially interesting town-planning structure composed of a central public street flanked<br />
by a continuous curtain of buildings that were<br />
once homes and shops.
    em7140150.jpg
  • Via Francigena , landscape near Cassio.
    em7140153.jpg
  • Via Francigena , landscape near Cassio. The environmental area called the "Salti del diavolo" (Devil's Leap), which lies diagonally across the valley, is particularly interesting, with its characteristic steeple-like rocky outcrops.
    em7140154.jpg
  • Via Francigena , landscape near Cassio.
    em7140156.jpg
  • Via Francigena . At the foot of Monte Zirone, is the old slender former church or Pieve di San Michele di Corniana, dedicate to St Michael Archangel.
    em7140162.jpg
  • Berceto. The "Ripasanta" is one of the last original stone trails of the Via Francigena.
    em7140181.jpg
  • Berceto. The "Ripasanta" is one of the last original stone trails of the Via Francigena.
    em7140205.jpg
  • Berceto. The "Ripasanta" is one of the last original stone trails of the Via Francigena.
    em7140210.jpg
  • Berceto. The "Ripasanta" is one of the last original stone trails of the Via Francigena.
    em7140215.jpg
  • Berceto is a crucial point on the route; organized<br />
by the Longobards to connect Padania with<br />
Tuscia. A pilgrim image, on the back the ruins of the castle.
    em7140228.jpg
  • Berceto is a crucial point on the route; organized<br />
by the Longobards to connect Padania with<br />
Tuscia. The Romanesque Duomo is dedicated to Moderanno, the bishop of Rennes that settled in Berceto. The most consistent plastic<br />
complex is found in the sculptures on the main<br />
and north entrances from the late 12th century. The lunette of the main entrance depicts Christ<br />
on the Cross.
    em7140241.jpg
  • Berceto is a crucial point on the route; organized<br />
by the Longobards to connect Padania with<br />
Tuscia. The Romanesque Duomo is dedicated to Moderanno, the bishop of Rennes that settled in Berceto. The most consistent plastic<br />
complex is found in the sculptures on the main<br />
and north entrances from the late 12th century. The lunette of the main entrance depicts Christ<br />
on the Cross.
    em7140253.jpg
  • Berceto is a crucial point on the route; organized<br />
by the Longobards to connect Padania with<br />
Tuscia. The Romanesque Duomo is dedicated to Moderanno, the bishop of Rennes that settled in Berceto. The most consistent plastic<br />
complex is found in the sculptures on the main<br />
and north entrances from the late 12th century. The lunette of the main entrance depicts Christ<br />
on the Cross.
    em7140259.jpg
  • Berceto is a crucial point on the route; organized<br />
by the Longobards to connect Padania with<br />
Tuscia. The Romanesque Duomo is dedicated to Moderanno, the bishop of Rennes that settled in Berceto. The most consistent plastic<br />
complex is found in the sculptures on the main<br />
and north entrances from the late 12th century. The lunette of the main entrance depicts Christ<br />
on the Cross.
    em7140271.jpg
  • Berceto is a crucial point on the route; organized<br />
by the Longobards to connect Padania with<br />
Tuscia.
    em7140274.jpg
  • Berceto is a crucial point on the route; organized<br />
by the Longobards to connect Padania with<br />
Tuscia. A pilgrim image.
    em7140301.jpg
  • Passo della Cisa. From this point the Via Francigena enters in Tuscany.
    em7140305.jpg
  • Passo della Cisa. From this point the Via Francigena enters in Tuscany.
    em7140306.jpg
  • Passo della Cisa. From this point the Via Francigena enters in Tuscany.
    em7140309.jpg
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