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  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212921.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212914.jpg
  • Day of the Dead celebrations. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0213010.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the “Huehuentones”, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0213008.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212998.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212994.jpg
  • Day of the Dead, Janitzio island, band performing for, "Los Angelitos",  the children souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212981.jpg
  • Huautla de Jimenez. Day of the Dead celebrations, Mazatec Indians cleans the tombs in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212945.jpg
  • Day of the Dead celebrations, the village's market. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    carreteras de papel-0217617.jpg
  • Huautla de Jimenez. Day of the Dead: theMazatec Indians coming at cemetery the afternoon before the celebration. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    carreteras de papel-0212977.jpg
  • Huautla de Jimenez. Day of the Dead, the “Huehuentones”, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    carreteras de papel-0212931.jpg
  • Day of the Dead celebrations. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0217631.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212983.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0213001.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0213000.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212993.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212970.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212962.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212958.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the ?Huehuentones?, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212936.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the ?Huehuentones?, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212934.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the ?Huehuentones?, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212932.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212918.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212916.jpg
  • Day of the Dead celebrations, Patzcuaro. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212911.jpg
  • Day of the Dead, Janitzio island church. Food for the souls without relatives.  The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212909.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212904.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212991.jpg
  • Day of the Dead, Janitzio island, band performing for, "Los Angelitos",  the children souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212984.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212952.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212912.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    carreteras de papel-0212908.jpg
  • Day of the Dead celebrations. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0217635.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0217627.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212908.jpg
  • Day of the Dead, Janitzio island, band performing for, "Los Angelitos",  the children souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212989.jpg
  • Day of the Dead, Janitzio island, band performing for, "Los Angelitos",  the children souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212988.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212957.jpg
  • Huautla de Jimenez. Day of the Dead: theMazatec Indians coming at cemetery the afternoon before the celebration. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212950.jpg
  • Huautla de Jimenez. Day of the Dead: theMazatec Indians coming at cemetery the afternoon before the celebration. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212941.jpg
  • Alvaro Obregon poor district, with a great number of young people gangs (“chavo-bandas”). More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216352.jpg
  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    carreteras de papel-0214151.jpg
  • Tehuantepec, street market
    em0214279.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216356-3.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216369.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216357.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216356.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City.
    em0216355.jpg
  • Isthmus of Tehuantepec, San Mateo del Mar. Huaves women walking on the top of sand dunes.
    em0214292.jpg
  • Salina Cruz, dressing for a Vela, the traditional celebrations of the Zapotecas women of the Istmo de Tehuantepec. When the tehuanas dance floral skirts and huipiles (shirts) transform the track in a sort of magical mobile garden. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214284.jpg
  • Tehuantepec, street market
    em0214278.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214250.jpg
  • Juchitàn, Vela Cheguigo. Tehuanas with traditional "Huipil Grande", often worn as hood. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214242.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214215.jpg
  • Juchitàn, Vela San Isidro Labrador. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214207.jpg
  • Juchitàn, Vela San Isidro Labrador. Holy Mass in St Vicente Ferrer church.
    em0214203.jpg
  • Juchitàn, Vela San Isidro Labrador. Holy Mass in St Vicente Ferrer church.
    em0214201.jpg
  • Juchitàn, Vela San Vicente Ferrer. The entrance "ticket" for a Vela is a "cartòn", a case full with 20 beers. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214192.jpg
  • Isthmus of Tehuantepec, Salina Cruz. The "mayordoma" is the most important traditional autorithy of a Vela, and a very important people in a city life. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214157.jpg
  • Otomì indian migrants, a couple living in a abandoned house of the historical centre. The man works only sometimes. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216363.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214151.jpg
  • Isthmus of Tehuantepec, San Mateo del Mar. Huaves women walking on the top of sand dunes.
    carreteras de papel-0214292.jpg
  • Indian political meeting in Mexico City's Zocalo, in front of National Palace. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216351.jpg
  • Tehuantepec, two puppets dressed in a traditional Zapotec Indians. They parade along the streetys at the beginning of a Vela, the traditional celebrations of Indian Zapotec Women of the Isthmus of Tehuantepec.
    em0216539.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214254.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214251.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216388-1.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216384.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216378-1.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216376.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216375-1.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216374.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216366.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216365.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216359.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216354.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em2106549.jpg
  • Tehuantepec. Vela, with traditional dances ("sones") with skirts and huipiles. Often the Tehuanas women dances without men.
    em0216533.jpg
  • Juchitàn, Vela San Vicente Ferrer. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214287.jpg
  • Juchitàn: Vela (traditional celebration of Tehiana Indian Zapotec women) Biadxi, holy mass in Cheguigo chapel. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214286.jpg
  • em0214277.jpg
  • Isthmus of Tehuantepec, thehuana's hair dressing.
    em0214268.jpg
  • San Blas Atempa (Tehuantepec): tehuanas embroiding huipiles. This village is so-well known that buyers comes from foreign countries. The Zapotecas women of the Istmo create with their extraordinary dresses a ?living? myth. When the tehuanas dance the sones during the festivities (Velas), floral skirts and huipiles (shirts) transform the track in a sort of magical mobile garden, and every woman in a Queen. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho. It's no accident that she wore always the traditional dresses of the Istmo. But these showy trajes, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for who wears it: active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214267.jpg
  • San Blas Atempa (Tehuantepec): tehuanas embroiding huipiles. This village is so-well known that buyers comes from foreign countries.
    em0214264.jpg
  • Juchitàn, Vela Cheguigo. A man with "Huipil Grande" often worn as hood. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching..
    em0214246.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214232.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214220.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women who often control the local economy and markets with an independent economic power reflected in their self confidence. Even in the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214214.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women who often control the local economy and markets with an independent economic power reflected in their self confidence. Even in the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214211.jpg
  • Juchitàn, Vela San Isidro Labrador. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214208.jpg
  • Juchitàn, Vela San Isidro Labrador. Holy Mass in St Vicente Ferrer church.
    em0214205.jpg
  • Juchitàn, Vela San Isidro Labrador. Holy Mass in St Vicente Ferrer church.
    em0214204.jpg
  • Juchitàn, Vela San Vicente Ferrer. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214189.jpg
  • Salina Cruz, barrio" La Hormiga. Vela, with traditional dances ("sones") with skirts and huipiles. Many times the Tehuanas dances without men.
    em0214168.jpg
  • Salina Cruz, barrio" La Hormiga. Vela, with traditional dances ("sones") with skirts and huipiles. Many times the Tehuanas dances without men.
    em0214167.jpg
  • Isthmus of Tehuantepec, Salina Cruz. The "mayordoma" is the most important traditional autorithy of a Vela, and a very important people in the daily life.
    em0214165.jpg
  • Otomì community of Indian migrants living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
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