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  • Corofin. Burren. Antoinette O'Bryen researcher of County Clare's Heritage Centre, a professional no profit genealogy research centre. The effects of this Genealogical and Heritage enterprise began a remarkable interaction between County Clare and its Diaspora.
    em7215202.jpg
  • Corofin. Burren. County Clare's Heritage Centre, a professional no profit heritage research centre. The effects of this Genealogical and Heritage enterprise began a remarkable interaction between  Clare and its scattered Diaspora. The Centre produced more than 5 millions of handmade sheets and more than 50.000 family reports.
    em7215204.jpg
  • Corofin. Burren. County Clare's Heritage Centre, a professional no profit heritage research centre. The effects of this Genealogical and Heritage enterprise began a remarkable interaction between  Clare and its scattered Diaspora. The Centre produced more than 5 millions of handmade sheets and more than 50.000 family reports.
    em7215205.jpg
  • Bunratty Heritage Park. This private genealogy centre may look for more than 500.000 European family names. They sell genealogy trees and family coats of arms
    em7215211.jpg
  • Bunratty Heritage Park. Marie Barrett on his private genealogy centre may look for more than 500.000 European family names.
    em7215208.jpg
  • Bunratty Heritage Park. This private genealogy centre may look for more than 500.000 European family names. They sell genealogy trees and family coats of arms
    em7215210.jpg
  • Bunratty Heritage Park. This private genealogy centre may look for more than 500.000 European family names. They sell genealogy trees and family coats of arms
    em7215214.jpg
  • Marine Institute Research (IMR) the genetics laboratory, fish DNA research.
    em8500002.jpg
  • Marine Institute Research, a ship sailing for a research about the sea environment.
    em8500021.jpg
  • Marine Institute Research (IMR) the genetics laboratory, fish DNA research.
    em8500012.jpg
  • Marine Institute Research (IMR) the genetics laboratory, fish DNA research.
    em8500010.jpg
  • Marine Institute Research (IMR) the genetics laboratory, fish DNA research.
    em8500011.jpg
  • Marine Institute Research (IMR). Kari Ostervold Toft,  Comunications manager.
    em8500014.jpg
  • Genoa- Istituto Italiano di Tecnologia-graphene labs
    em7138573.jpg
  • Genoa- Istituto Italiano di Tecnologia
    em7138603.jpg
  • Genoa- Istituto Italiano di Tecnologia. Robotics.   Sx Marco Frigerio, dx Claudio Semini, Dynamic Legged System Lab, Hydraulically Actuated Quadruped (HyQ)
    em7138493-1.jpg
  • Genoa- Istituto Italiano di Tecnologia. Robotics, Przemyslaw Kryczka, team Walk-Man
    em7138459.jpg
  • Genoa- Istituto Italiano di Tecnologia. ICub-robotica
    em7138414-1.jpg
  • Genoa- Istituto Italiano di Tecnologia. ICub-robotica
    em7138401.jpg
  • Genoa- Istituto Italiano di Tecnologia. Anna Lisa Palange, precision medicine lab.
    em7138602.jpg
  • Genoa- Istituto Italiano di Tecnologia. Miguel Ferreira, laboratorio di nanomedicina di precisione.
    em7138591.jpg
  • Genoa- Istituto Italiano di Tecnologia-precision medicine lab
    em7138583.jpg
  • Genoa- Istituto Italiano di Tecnologia. abbi lab, esperimenti sensoriali
    em7138557.jpg
  • Genoa- Istituto Italiano di Tecnologia, u-vip lab, sx Elena Aggius, dx Alessia Tonelli.
    em7138543.jpg
  • Genoa- Istituto Italiano di Tecnologia. Robotics.   Sx Marco Frigerio,  System Lab, Hydraulically Actuated Quadruped (HyQ)
    em7138510-1.jpg
  • Genoa- Istituto Italiano di Tecnologia. Robotica-Hydraulically Actuated Quadruped (HyQ)
    em7138489-2.jpg
  • Genoa- Istituto Italiano di Tecnologia. Robotics.   Sx Felipe Polido, dx Claudio Semini, Dynamic Legged System Lab, Hydraulically Actuated Quadruped (HyQ)
    em7138478-2.jpg
  • Genoa- Istituto Italiano di Tecnologia. Robotica-Walk Man
    em7138439-3.jpg
  • Genoa- Istituto Italiano di Tecnologia. Robotics, Przemyslaw Kryczka, team Walk-Man
    em7138424.jpg
  • Genoa- Istituto Italiano di Tecnologia. Giulia Vezzani, iCub Facility
    em7138407.jpg
  • The Science Centre of Northern Norway
    em8500604.jpg
  • Genoa- Istituto Italiano di Tecnologia. Anna Lisa Palange, precision medicine lab.
    em7138597.jpg
  • Genoa- Istituto Italiano di Tecnologia-graphene labs, Duc Anh Dinh.
    em7138577.jpg
  • Genoa- Istituto Italiano di Tecnologia, u-vip lab, Alessia Tonelli.
    em7138538.jpg
  • Parma. Monastery of the Annunziata. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia.
    em7139330.jpg
  • Parma. Traditional "Torino pastry", one of the last to sell the Liqueur made with the essence of Parma's Violet. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia.
    em7139303.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari. s
    em7139295.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari. The poster of Verdi's Traviata (1855) when the main character was still named Violetta for fear of the censorship, because Traviata (The Falled Woman) was too outrageous.
    em7139275.jpg
  • Parma. Parma. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari Collection, liberty glass with  Parma's Violet (Borsari Collection, Parfum Museum).
    em7139215.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139211.jpg
  • Astrophysical Observatory. Founded in 1942, it was then the largest telescope in Europe, a reflector with a primary mirror of 122-cm. Today the "Galileo" telescope goes on with research and education activities thanks to the continuous updates to the control and acquisition systems.
    em7123401.jpg
  • Virtual Reality and Multi Media Park, Lumiq Studios, virtual environments in 3D. The Park is a high tech facility located on the site of the former FERT film studios. The Park's aim is to promote research and development of innovative applications, especially in virtual reality and new technologies, for the development of the audiovisual and multimedia sectors. The Park is indeed a container for new technologies and projects.
    em7117140.jpg
  • Parma. Luca Pioli, owner of "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. In 1870 Lodovico Borsari obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139204.jpg
  • Parma. Traditional "Torino pastry", one of the last to sell the Liqueur made with the essence of Parma's Violet. On the back, Napoleon, so fond of violets to come ironically nicknamed Père Violet or Captain Violet. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia.
    em7139300.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari. s
    em7139292.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari. s
    em7139291.jpg
  • Parma. Receipt for some purchases linked to the Parma's Violet by Marie Louise, Duchess of Parma, Piacenza and Guastalla. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari. The poster of Verdi's Traviata (1855) when the main character was still named Violetta for fear of the censorship, because Traviata (The Falled Woman) was too outrageous.
    em7139277.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139267.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. Candled violets. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She actually encoraged and supported research by the monks at the Monastery of the Annunciata who, after long and patient work, succeeded in obtaining an essence from the flower and its leaves, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139259.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139257.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139256.jpg
  • Parma. Vintage collection of Borsari perfume (Perfume's Museum). The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139230.jpg
  • The Schaulager is a museum built in 2002/2003 under commission of the Laurenz Foundation, is was designed by the renowned architecs Herzog & de Meuron. The Schaulager was conceived as an open warehouse that provides the optimal spatial and climatic conditions for the preservation of works of art. The institution functions as a mix between public museum, art storage facility and art research institute. It is primarily directed at a specialist audience but is also open to the general public for special events.
    em8600462.jpg
  • The Schaulager is a museum built in 2002/2003 under commission of the Laurenz Foundation, is was designed by the renowned architecs Herzog & de Meuron. The Schaulager was conceived as an open warehouse that provides the optimal spatial and climatic conditions for the preservation of works of art. The institution functions as a mix between public museum, art storage facility and art research institute. It is primarily directed at a specialist audience but is also open to the general public for special events.
    em8600456.jpg
  • Virtual Reality and Multi Media Park, Lumiq Studios, virtual environments in 3D. The Park is a high tech facility located on the site of the former FERT film studios. The Park's aim is to promote research and development of innovative applications, especially in virtual reality and new technologies, for the development of the audiovisual and multimedia sectors. The Park is indeed a container for new technologies and projects.
    em7117158.jpg
  • Parma. Monastery of the Annunziata. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia.
    em7139328.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. Original vintage Borsari perfume packaging. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139282.jpg
  • Parma. "Parma Color Viola" shop selling the Borsari 1870 collection. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower.She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139270.jpg
  • Parma. Vintage liberty collection of Borsari perfume (Perfume's Museum). The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139244.jpg
  • Parma. Vintage collection of Borsari perfume (Perfume's Museum). The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari.
    em7139222.jpg
  • Parma. Parma. The perfume Violetta di Parma owes its very existence to Marie Louise and her love of this flower. She supported research by the monks at the Monastery of the Annunciata who obtained an essence from the flowers, identical to that of the violet. The first bottles of Violetta di Parma, produced thanks to the alchemic skills of the monks, were made solely for the personal use of the Duchess Maria Luigia. Around 1870 Lodovico Borsari, obtained from the monks the secret formula for the preparation of this perfume and started producing it for a wider audience. The perfume is still sold today under the brand Collezione Borsari Collection, liberty glass with  Parma's Violet (Borsari Collection, Parfum Museum).
    em7139214.jpg
  • The Schaulager is a museum built in 2002/2003 under commission of the Laurenz Foundation, is was designed by the renowned architecs Herzog & de Meuron. The Schaulager was conceived as an open warehouse that provides the optimal spatial and climatic conditions for the preservation of works of art. The institution functions as a mix between public museum, art storage facility and art research institute. It is primarily directed at a specialist audience but is also open to the general public for special events.
    em8600458.jpg
  • Virtual Reality and Multi Media Park, Lumiq Studios, virtual environments in 3D. The Park is a high tech facility located on the site of the former FERT film studios. The Park's aim is to promote research and development of innovative applications, especially in virtual reality and new technologies, for the development of the audiovisual and multimedia sectors. The Park is indeed a container for new technologies and projects.
    em7117143.jpg
  • The Cooperative Bank (Zadružna Gospodarska Banka (cooperative commercial bank). It was built in 1921, designed by the Slovene architect Ivan Vurnik in a “national style” that is related to Secessionism but clearly distinct from it. The architect’s wife, Helena Vurnik, was Viennese, but adopted Slovene nationality and was given charge of the building’s painting. She researched Slovenian folk art, but the dazzling facade is ultimately her own creation.
    em8800166.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216356-3.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Mexicos's most populous Indian community, a mosaic of more than 400.000, lives in a most unexpected place, in the heart of the one of the largest megalopoli on earth, Mexico City. Tenaciously clinging to to ancient traditions, they continue to weave dreams and make plans difficult to undertand by  those part of their world. The ties to their homes are so strong, that some researchers define these urban groups as ?embassies? for their distant villages...that form, in many ways, a different world. This Indian world of the city is a subterranean universe, often hidden behind the annonymous doorway of some rundown colonial mansion.
    em0213204.jpg
  • Otomì indian migrants, a couple living in a abandoned house of the historical centre. The man works only sometimes. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216363.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Alvaro Obregon poor district, with a great number of young people gangs (“chavo-bandas”). More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216352.jpg
  • Mexicos’s most populous Indian community, a mosaic of more than 400.000, lives in a most unexpected place, in the heart of the one of the largest megalopoli on earth, Mexico City. Tenaciously clinging to to ancient traditions, they continue to weave dreams and make plans difficult to undertand by  those part of their world. The ties to their homes are so strong, that some researchers define these urban groups as “embassies” for their distant villages...that form, in many ways, a different world. This Indian world of the city is a subterranean universe, often hidden behind the annonymous doorway of some rundown colonial mansion.
    em0213202.jpg
  • Mexicos’s most populous Indian community, a mosaic of more than 400.000, lives in a most unexpected place, in the heart of the one of the largest megalopoli on earth, Mexico City. Tenaciously clinging to to ancient traditions, they continue to weave dreams and make plans difficult to undertand by  those part of their world. The ties to their homes are so strong, that some researchers define these urban groups as “embassies” for their distant villages...that form, in many ways, a different world. This Indian world of the city is a subterranean universe, often hidden behind the annonymous doorway of some rundown colonial mansion.
    carreteras de papel-0213202.jpg
  • The Cooperative Bank (Zadružna Gospodarska Banka (cooperative commercial bank). It was built in 1921, designed by the Slovene architect Ivan Vurnik in a “national style” that is related to Secessionism but clearly distinct from it. The architect’s wife, Helena Vurnik, was Viennese, but adopted Slovene nationality and was given charge of the building’s painting. She researched Slovenian folk art, but the dazzling facade is ultimately her own creation.
    em8800172.jpg
  • The Cooperative Bank (Zadružna Gospodarska Banka (cooperative commercial bank). It was built in 1921, designed by the Slovene architect Ivan Vurnik in a “national style” that is related to Secessionism but clearly distinct from it. The architect’s wife, Helena Vurnik, was Viennese, but adopted Slovene nationality and was given charge of the building’s painting. She researched Slovenian folk art, but the dazzling facade is ultimately her own creation.
    em8800168.jpg
  • Mexicos’s most populous Indian community, a mosaic of more than 400.000, lives in a most unexpected place, in the heart of the one of the largest megalopoli on earth, Mexico City. Tenaciously clinging to to ancient traditions, they continue to weave dreams and make plans difficult to undertand by  those part of their world. The ties to their homes are so strong, that some researchers define these urban groups as “embassies” for their distant villages...that form, in many ways, a different world. This Indian world of the city is a subterranean universe, often hidden behind the annonymous doorway of some rundown colonial mansion.
    em0213223-1.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    el monstruo-12.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    el monstruo-7.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    el monstruo-1.jpg
  • Mexicos's most populous Indian community, a mosaic of more than 400.000, lives in a most unexpected place, in the heart of the one of the largest megalopoli on earth, Mexico City. Tenaciously clinging to to ancient traditions, they continue to weave dreams and make plans difficult to undertand by  those part of their world. The ties to their homes are so strong, that some researchers define these urban groups as ?embassies? for their distant villages...that form, in many ways, a different world. This Indian world of the city is a subterranean universe, often hidden behind the annonymous doorway of some rundown colonial mansion.
    em0213251.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216384.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216378-1.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216376.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216375-1.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216374.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216369.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216365.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216359.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216357.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216356.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216354.jpg
  • Mexicos's most populous Indian community, a mosaic of more than 400.000, lives in a most unexpected place, in the heart of the one of the largest megalopoli on earth, Mexico City. Tenaciously clinging to to ancient traditions, they continue to weave dreams and make plans difficult to undertand by  those part of their world. The ties to their homes are so strong, that some researchers define these urban groups as ?embassies? for their distant villages...that form, in many ways, a different world. This Indian world of the city is a subterranean universe, often hidden behind the annonymous doorway of some rundown colonial mansion.
    em0213201.jpg
  • Otomì community of Indian migrants living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216357.jpg
  • Indian political meeting in Mexico City's Zocalo, in front of National Palace. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216351.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    el monstruo-15.jpg
  • Otomì indian migrants, a couple living in a abandoned house of the historical centre. The man works only sometimes. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    el monstruo-14.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    el monstruo-13.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216388-1.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216385-4.jpg
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