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  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110012.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110006.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110009.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110008.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110005.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110004.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110002.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7116535.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7116530.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7110014.jpg
  • Racconigi Castle, not far from Turin was a important residence for the Savoia Royal house. On this room was born the last Italian king Umberto II.
    em7117729.jpg
  • Dumferline was an ancient capital of Scotland. Dunfermline Palace, currently a ruin, was a royal residence of many Scottish monarchs, beginning in the 11th century with Malcolm III who made it his capital.  <br />
Dunfermline Palace is attached to the historic Dunfermline Abbey, occupying a site between the abbey and deep gorge to the south.  The palace was given as a wedding present by the king, James VI, to Anne of Denmark after their marriage.
    em0761516.jpg
  • Dumferline was an ancient capital of Scotland. Dunfermline Palace, currently a ruin, was a royal residence of many Scottish monarchs, beginning in the 11th century with Malcolm III who made it his capital.  <br />
Dunfermline Palace is attached to the historic Dunfermline Abbey, occupying a site between the abbey and deep gorge to the south.  The palace was given as a wedding present by the king, James VI, to Anne of Denmark after their marriage.
    em0761515.jpg
  • Dumferline was an ancient capital of Scotland. Dunfermline Palace, currently a ruin, was a royal residence of many Scottish monarchs, beginning in the 11th century with Malcolm III who made it his capital.  <br />
Dunfermline Palace is attached to the historic Dunfermline Abbey, occupying a site between the abbey and deep gorge to the south.  The palace was given as a wedding present by the king, James VI, to Anne of Denmark after their marriage.
    em0761514.jpg
  • Dumferline was an ancient capital of Scotland. Dunfermline Palace, currently a ruin, was a royal residence of many Scottish monarchs, beginning in the 11th century with Malcolm III who made it his capital.  .Dunfermline Palace is attached to the historic Dunfermline Abbey, occupying a site between the abbey and deep gorge to the south.  The palace was given as a wedding present by the king, James VI, to Anne of Denmark after their marriage.
    em0761542.jpg
  • The Palazzo Reale (Royal Palace) or Palazzo Stefano Balbi is a major palace in Genoa. The palace contains much original furniture and decoration.
    em7116027.jpg
  • The Palazzo Reale (Royal Palace) or Palazzo Stefano Balbi is a major palace in Genoa. The palace contains much original furniture and decoration.
    em7116026.jpg
  • Reggia di Venaria Reale, Reggia di Diana (Diana's Royal Palace). This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116950.jpg
  • Reggia di Venaria Reale, Reggia di Diana (Diana's Royal Palace). This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116951.jpg
  • Reggia di Venaria Reale, Reggia di Diana (Diana's Royal Palace). This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116948.jpg
  • Reggia di Venaria Reale, Reggia di Diana (Diana's Royal Palace). This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116949.jpg
  • The Palazzo Reale (Royal Palace) or Palazzo Stefano Balbi is a major palace in Genoa. The garden with traditional black and white stones mosaics. .
    em7116035.jpg
  • The Palazzo Reale (Royal Palace) or Palazzo Stefano Balbi is a major palace in Genoa. The garden with traditional black and white stones mosaics. .
    em7116031.jpg
  • The Palazzo Reale (Royal Palace) or Palazzo Stefano Balbi is a major palace in Genoa. The garden with traditional black and white stones mosaics. .
    em7116030.jpg
  • The Palazzo Reale (Royal Palace) or Palazzo Stefano Balbi is a major palace in Genoa. The garden with traditional black and white stones mosaics. .
    em7116032.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115591.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115589.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7116502.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115587.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7115590.jpg
  • Palazzo Reale di Torino. It was the royal madam Cristine of France, Vittorio Amedeo I duke's wife, who began in 1646 the building of the Royal Palace which became then the sumptuous official residence of the dukes and later, for more than two centuries, of the sabaudian kings.
    em7236713.jpg
  • Trsteno Arboretum near Dubrovnik, one of the oldest and most beautiful Arboretums in the whole region. It was established at  the end of the fifteenth century as a summer residence of the patrician family Gučetić-Gozze with  the he belvedere pavilion overlooking the sea and the Elaphite islands. In Game of Thrones is the garden of the Royal Palace.
    em8703738.jpg
  • Reggia di Venaria Reale, street theater in the gardens.This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116976.jpg
  • Reggia di Venaria Reale, street theater in the gardens.This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116983.jpg
  • Reggia di Venaria Reale, artillery utilised in the Turin's siege of 1706. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116967.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116945.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116944.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116943.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116940.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116937.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116933.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116930.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116927.jpg
  • Reggia di Venaria Reale, reconstruction of daily life. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116923.jpg
  • Reggia di Venaria Reale, Juvarra gardens. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116900.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116887.jpg
  • Reggia di Venaria Reale, gardens. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116882.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114985.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114984.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114982.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114979.jpg
  • Reggia di Venaria Reale, restoration works. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7110043.jpg
  • Reggia di Venaria Reale, Diana's image. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116959.jpg
  • Reggia di Venaria Reale, Diana's image. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116957.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116947.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116942.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116941.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116935.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116929.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116925.jpg
  • Reggia di Venaria Reale, Rondò alfieriano with Four Seasons statues. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116917.jpg
  • Reggia di Venaria Reale, Clock Tower entrance. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116885.jpg
  • Reggia di Venaria Reale, the gardens with the Trees-sculptures (Sculture Fluide) of Giuseppe Penone. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116880.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114989.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114988.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7114983.jpg
  • Reggia di Venaria Reale, the masterpiece of St Uberto Chapel. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116936.jpg
  • Reggia di Venaria Reale. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116890.jpg
  • Reggia di Venaria Reale, the gardens with the Trees-sculptures (Sculture Fluide) of Giuseppe Penone. This Royal Palace of the seventeenth century, dedicated to the hunting goddess Diana, was planned in 1658 by Amedeo di Castellamonte for the duke Carlo Emanuele II. The so-called "Versaille" of Turin is a building of huge proportions (480.000 sq m).  After the structural recovery the building now house a Museum regarding the life and culture of the court.
    em7116876.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116600.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116628.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116625.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116622.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116621.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116620.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116618.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116617.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116613.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116610.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116608.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116599.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116598.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116588.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116533.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116616.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7116612.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7115581.jpg
  • Palazzo Madama stands in the centre of Castle Square. The history of the Palace reflects the history of the city. Infact its baroque facade contrasts sharply with older medieval parts to lend the building a most unorthodox apparence. The palace incorporate parts of ancient Roman gate, wich was converted into a castle in the Middle Ages. In the 17th century it became the residence of the Madama Reale (Royal Widow). In 1721 Filippo Juvarra enbellish the palace with a splendid baroque facade. The Palace housed the work of Subalpine and Italian Senate from 1848 to 1864. Today, it's used like Civic Ancient Art Museum (Museo Civico di Arte Antica).
    em7110018.jpg
  • The Royal Tombs, the series of large tomb facades carved out of the west face of Al-Khubta mountain.The  Palace Tomb (left) and Corinthian Tomb (right).
    em2310521.jpg
  • Martina Franca, The Ducal Palace (1668) built over the old Orsini's castle. The Royal apartments.
    em7136003.jpg
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enrico martino

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