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  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind).  Tuttavista mountain, the rugged landscape of Sa Preta Istampata natural arch, the only one of Sardinia.
    em7131724.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind).  Tuttavista mountain, the rugged landscape of Sa Preta Istampata natural arch, the only one of Sardinia.
    em7131725.jpg
  • Sardinia, Alghero. Coral's Riviera. Maria Pia beach with olds juniper trees.
    em7130440.jpg
  • San Giovanni di Sinis, the church of St Johnis one of the oldest of Sardinia, build under Byzantine rule (around 6th century).
    em7131498.jpg
  • Arutas quartz beach is one of the most unusual beaches of Sardinia. It is formed by small white pieces of quartz that the sea has deposited on the beach.
    em7131403.jpg
  • Cabras, Paolo Contini owner of Contini winery founded on 1898, the oldest winery  of Sardinia..
    em7131551.jpg
  • Maimoni quartz beach Is is one of the most unusual beaches of Sardinia. It is formed by small white pieces of quartz that the sea has deposited on the beach.
    em7131523.jpg
  • San Giovanni di Sinis, the church of St Johnis one of the oldest of Sardinia, build under Byzantine rule (around 6th century).
    em7131501.jpg
  • San Giovanni di Sinis, the church of St Johnis one of the oldest of Sardinia, build under Byzantine rule (around 6th century).
    em7131499.jpg
  • Arutas quartz beach is one of the most unusual beaches of Sardinia. It is formed by small white pieces of quartz that the sea has deposited on the beach.
    em7131417.jpg
  • Arutas quartz beach is one of the most unusual beaches of Sardinia. It is formed by small white pieces of quartz that the sea has deposited on the beach.
    em7131407.jpg
  • San Giovanni di Sinis, the church of St Johnis one of the oldest of Sardinia, build under Byzantine rule (around 6th century).
    em7131507.jpg
  • Sant'Antioco island, the archeological museum Ferruccio Barreca. Tofet steles represented the parents’ thanks of the little dead to the gods for having received the gift of a new birth and the continuation of their descendance. The term Tofet is commonly used to identify a particular type of sanctuary present in the Phoenician and Punic cities of the central Mediterranean. The main part of the museum's collection it’s about the important urban settlement built on the eastern coasts of the island at the beginning of the eighth century. B.C., known by the name of Sulky or Sulci, port benchmark of the territorial district of the south-western Sardinia.
    em7162451.jpg
  • Sant'Antioco island, two Phoenician lions of Hittite or Syriac influence that once protected the gate of the Punic city. The archeological museum Ferruccio Barreca preserves and displays a wide range of artifacts from the island. The main part of the collection it’s about the important urban settlement built on the eastern coasts of the island at the beginning of the eighth century. B.C., known by the name of Sulky or Sulci, port benchmark of the territorial district of the south-western Sardinia.
    em7162436.jpg
  • Calasetta, is a small town on the island founded in 1770. In the middle of the 16th century some Ligurian families from Pegli near Genoa moved to a deserted island off the coast of the Tunisian city of Tabarka in order to work the waters as coral fishermen. Increasing  incursions by Barbery pirates, and expansionist competition by France began a long period of trials for the Tabarchini.<br />
In 1738 a group of Tabarchini decided to leave the island and were received by King Charles Emmanuel III of Savoy in the Kingdom of Sardinia, who gave them the Island of San Pietro to settle. When the Bey of Tunis learned that the Lomellini family intended to sell the island to his enemies the French, he invaded the island   the population. Part of the liberated Tabarchini originated the village of Calasetta
    em7162389.jpg
  • Perda 'e Liana constitutes one of the most important and evocative morphological conformations in Sardinia. It is a natural monument constituted by a vertical tower, a so-called heel or "tonneri" in Sardinian, that races skywards. At 1293 m, it is one of the best known natural monuments on the island for its strange appearance. It is slender and elegant in form and is two kilometres from the edge of the highland of Tonneri. The highest part of the heel is about fifty metres wide but has vertical walls that rise 100 metres. The light-coloured sides of its walls contrast with the greyness of the rocks that surround it. Its base is in a conical trunk conformation. For the Ogliastra region, this natural monument constitutes the most important evidence of erosion of the large calcareous strata of the Giurese that has covered this part of the island for about ten million years and, being visible over a long distance, constituted a reference point for all those that crossed these mountain zones in times gone by.
    em7163297.jpg
  • Perda 'e Liana constitutes one of the most important and evocative morphological conformations in Sardinia. It is a natural monument constituted by a vertical tower, a so-called heel or "tonneri" in Sardinian, that races skywards. At 1293 m, it is one of the best known natural monuments on the island for its strange appearance. It is slender and elegant in form and is two kilometres from the edge of the highland of Tonneri. The highest part of the heel is about fifty metres wide but has vertical walls that rise 100 metres. The light-coloured sides of its walls contrast with the greyness of the rocks that surround it. Its base is in a conical trunk conformation. For the Ogliastra region, this natural monument constitutes the most important evidence of erosion of the large calcareous strata of the Giurese that has covered this part of the island for about ten million years and, being visible over a long distance, constituted a reference point for all those that crossed these mountain zones in times gone by.
    em7163287.jpg
  • Mandas railways station where begins the Trenino Verde travel line(tourist "Green Train" line). The writer D.H.Lawrence made this travel in 1921 and wrote the travel book  "Sea and Sardinia".
    em7163003.jpg
  • Sant'Antioco island, the archeological museum Ferruccio Barreca preserves and displays a wide range of artifacts from the island. The main part of the collection it’s about the important urban settlement built on the eastern coasts of the island at the beginning of the eighth century. B.C., known by the name of Sulky or Sulci, port benchmark of the territorial district of the south-western Sardinia.
    em7162464.jpg
  • Sant'Antioco island, the archeological museum Ferruccio Barreca preserves and displays a wide range of artifacts from the island. The main part of the collection it’s about the important urban settlement built on the eastern coasts of the island at the beginning of the eighth century. B.C., known by the name of Sulky or Sulci, port benchmark of the territorial district of the south-western Sardinia.
    em7162441.jpg
  • Calasetta, the harbour with the old Savoy tower, now a museum. Calasetta is a small town on the island founded in 1770. In the middle of the 16th century some Ligurian families from Pegli near Genoa moved to a deserted island off the coast of the Tunisian city of Tabarka in order to work the waters as coral fishermen. Increasing  incursions by Barbery pirates, and expansionist competition by France began a long period of trials for the Tabarchini.<br />
In 1738 a group of Tabarchini decided to leave the island and were received by King Charles Emmanuel III of Savoy in the Kingdom of Sardinia, who gave them the Island of San Pietro to settle. When the Bey of Tunis learned that the Lomellini family intended to sell the island to his enemies the French, he invaded the island   the population. Part of the liberated Tabarchini originated the village of Calasetta
    em7162409.jpg
  • Calasetta, the city hall. Calasetta is a small town on the island founded in 1770. In the middle of the 16th century some Ligurian families from Pegli near Genoa moved to a deserted island off the coast of the Tunisian city of Tabarka in order to work the waters as coral fishermen. Increasing  incursions by Barbery pirates, and expansionist competition by France began a long period of trials for the Tabarchini.<br />
In 1738 a group of Tabarchini decided to leave the island and were received by King Charles Emmanuel III of Savoy in the Kingdom of Sardinia, who gave them the Island of San Pietro to settle. When the Bey of Tunis learned that the Lomellini family intended to sell the island to his enemies the French, he invaded the island   the population. Part of the liberated Tabarchini originated the village of Calasetta
    em7162396.jpg
  • Calasetta, is a small town on the island founded in 1770. In the middle of the 16th century some Ligurian families from Pegli near Genoa moved to a deserted island off the coast of the Tunisian city of Tabarka in order to work the waters as coral fishermen. Increasing  incursions by Barbery pirates, and expansionist competition by France began a long period of trials for the Tabarchini.<br />
In 1738 a group of Tabarchini decided to leave the island and were received by King Charles Emmanuel III of Savoy in the Kingdom of Sardinia, who gave them the Island of San Pietro to settle. When the Bey of Tunis learned that the Lomellini family intended to sell the island to his enemies the French, he invaded the island   the population. Part of the liberated Tabarchini originated the village of Calasetta
    em7162373.jpg
  • Isili railways station, old railways engines from the time when the writer D.H.Lawrence travelled this railway travel in 1921 and wrote the travel book  "Sea and Sardinia".
    em7163024.jpg
  • Mandas railways station, old railways engines from the time when the writer D.H.Lawrence travelled this railway line in 1921 and wrote the travel book  "Sea and Sardinia". Today here begins the Trenino Verde travel (tourist "Green Train" line).
    em7163014.jpg
  • Perda 'e Liana constitutes one of the most important and evocative morphological conformations in Sardinia. It is a natural monument constituted by a vertical tower, a so-called heel or "tonneri" in Sardinian, that races skywards. At 1293 m, it is one of the best known natural monuments on the island for its strange appearance. It is slender and elegant in form and is two kilometres from the edge of the highland of Tonneri. The highest part of the heel is about fifty metres wide but has vertical walls that rise 100 metres. The light-coloured sides of its walls contrast with the greyness of the rocks that surround it. Its base is in a conical trunk conformation. For the Ogliastra region, this natural monument constitutes the most important evidence of erosion of the large calcareous strata of the Giurese that has covered this part of the island for about ten million years and, being visible over a long distance, constituted a reference point for all those that crossed these mountain zones in times gone by.
    em7163294.jpg
  • Scala di San Giorgio, an extraordinary natural monument in eastern Sardinia, surrounded by legend,  between the rocks of the Taccu of Osini, deep in the province of Ogliastra. Skala indicates a steep and bumpy passage across the ridge of an elevation, in this specific case a six kilometre-long pass connecting the valleys of the Pardu rivulet and the Flumineddu rivulet. The narrow canyon, created from a fracture on the edge of the plateau and delimited by 50-metre high looming rock faces, has a unique detail: it is crossed by a strip of asphalt beginning in the village, making it easy to visit.
    em7163213.jpg
  • Isili railways station, old railways engines from the time when the writer D.H.Lawrence travelled this railway travel in 1921 and wrote the travel book  "Sea and Sardinia".
    em7163020.jpg
  • Sant'Antioco island, the archeological museum Ferruccio Barreca preserves and displays a wide range of artifacts from the island. The main part of the collection it’s about the important urban settlement built on the eastern coasts of the island at the beginning of the eighth century. B.C., known by the name of Sulky or Sulci, port benchmark of the territorial district of the south-western Sardinia.
    em7162454.jpg
  • Sant'Antioco island, the archeological museum Ferruccio Barreca preserves and displays a wide range of artifacts from the island. The main part of the collection it’s about the important urban settlement built on the eastern coasts of the island at the beginning of the eighth century. B.C., known by the name of Sulky or Sulci, port benchmark of the territorial district of the south-western Sardinia.
    em7162447.jpg
  • Calasetta, the harbour with the old Savoy tower, now a museum. Calasetta is a small town on the island founded in 1770. In the middle of the 16th century some Ligurian families from Pegli near Genoa moved to a deserted island off the coast of the Tunisian city of Tabarka in order to work the waters as coral fishermen. Increasing  incursions by Barbery pirates, and expansionist competition by France began a long period of trials for the Tabarchini.<br />
In 1738 a group of Tabarchini decided to leave the island and were received by King Charles Emmanuel III of Savoy in the Kingdom of Sardinia, who gave them the Island of San Pietro to settle. When the Bey of Tunis learned that the Lomellini family intended to sell the island to his enemies the French, he invaded the island   the population. Part of the liberated Tabarchini originated the village of Calasetta
    em7162377.jpg
  • Calasetta, the harbour with the old Savoy tower, now a museum. Calasetta is a small town on the island founded in 1770. In the middle of the 16th century some Ligurian families from Pegli near Genoa moved to a deserted island off the coast of the Tunisian city of Tabarka in order to work the waters as coral fishermen. Increasing  incursions by Barbery pirates, and expansionist competition by France began a long period of trials for the Tabarchini.<br />
In 1738 a group of Tabarchini decided to leave the island and were received by King Charles Emmanuel III of Savoy in the Kingdom of Sardinia, who gave them the Island of San Pietro to settle. When the Bey of Tunis learned that the Lomellini family intended to sell the island to his enemies the French, he invaded the island   the population. Part of the liberated Tabarchini originated the village of Calasetta
    em7162388.jpg
  • San Pietro island. The monument of the King of Piedmont-Sardinia Charles Emmanuel III that granted the permission to colonize the then-uninhabited island (1739) to people of Ligurian language and ethnicity, coming from the Republic of Genoa's colony at Tabarka after it had been taken over by the Bey of Tunisia. Today most of the population has retained a variant of Genoese dialect, called Tabarchino, which is also spoken in the northern part of the next Sant'Antioco island, in Calasetta, of same origin.
    em7162050.jpg
  • San Pietro island. The monument of the King of Piedmont-Sardinia Charles Emmanuel III that granted the permission to colonize the then-uninhabited island (1739) to people of Ligurian language and ethnicity, coming from the Republic of Genoa's colony at Tabarka after it had been taken over by the Bey of Tunisia. Today most of the population has retained a variant of Genoese dialect, called Tabarchino, which is also spoken in the northern part of the next Sant'Antioco island, in Calasetta, of same origin.
    em7162054.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind) around the Pintor sisters, a family of landowners in decline. The house of "Dame Pintor" where Grazia Deledda has been guest many times.
    em7131686.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The cathedral of Saint Peter (11th century) houses a cycle of Romanesque frescoes.
    em7131683.jpg
  • Nuoro. The house of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize) is now a museum.
    em7131792.jpg
  • Nuoro. The house of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize) is now a museum.
    em7131787.jpg
  • Nuoro. The house of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize) is now a museum.
    em7131783.jpg
  • Onanì. many murales on the walls of the houses, realized by the artist Pietro Asproni, show traditional life of the Barbagia's villages.
    em7131776.jpg
  • Onanì. many murales on the walls of the houses, realized by the artist Pietro Asproni, show traditional life of the Barbagia's villages.
    em7131775.jpg
  • Orosei, the church of the venerated Santuario del Rimedio. The sanctuary is the scene of some pages of "Canne al vento" (Reeds in the Wind). of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize). Women cooking traditional Sardinian bread for the pilgrims.
    em7131757.jpg
  • Orosei, the church of the venerated Santuario del Rimedio. The sanctuary is the scene of some pages of "Canne al vento" (Reeds in the Wind). of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize).
    em7131737.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131715.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The church of Saint Maria of the Towers (named also SS. Crocifisso) where sudorazione is guarded a miraculous Crocefisso (1612)
    em7131705.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind) around the Pintor sisters, a family of landowners in decline. The house of "Don Pedru" one of the protagonists of the novel..
    em7131696.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind) around the Pintor sisters, a family of landowners in decline. The house of "Dame Pintor" where Grazia Deledda has been guest many times.
    em7131690.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The cathedral of Saint Peter (11th century) houses a cycle of Romanesque frescoes.
    em7131675.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131669.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). Broterhood's church.
    em7131667.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131659.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131651.jpg
  • Orosei, the church of the venerated Santuario del Rimedio. The sanctuary is the scene of some pages of "Canne al vento" (Reeds in the Wind). of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize). Women cooking traditional Sardinian bread for the pilgrims.
    em7131751.jpg
  • Nuoro. The house of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize) is now a museum.
    em7131793.jpg
  • Nuoro. The house of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize) is now a museum.
    em7131789.jpg
  • Nuoro, Church of the Solitudine where the novelist Grazia Deledda (first woman to win the Literature's Nobel Prize) is buried.
    em7131780.jpg
  • Orune village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets some scenes for his most popular novel "Canne al Vento" (Reeds in the Wind).
    em7131762.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village. Pontes castle ruins.
    em7131722.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village. Pontes castle ruins.
    em7131721.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The church of Saint Maria of the Towers (named also SS. Crocifisso) where sudorazione is guarded a miraculous Crocefisso (1612)
    em7131709.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind) around the Pintor sisters, a family of landowners in decline. The house of "Dame Pintor" where Grazia Deledda has been guest many times.
    em7131694.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The cathedral of Saint Peter (11th century) houses a cycle of Romanesque frescoes.
    em7131679.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The cathedral of Saint Peter (11th century) houses a cycle of Romanesque frescoes.
    em7131677.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131670.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131655.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131653.jpg
  • Landscape near Orune.
    em7131774.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind).  The rugged landscape of  Tuttavista mountain.
    em7131734.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The church of Saint Maria of the Towers (named also SS. Crocifisso) where sudorazione is guarded a miraculous Crocefisso (1612)
    em7131710.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind) around the Pintor sisters, a family of landowners in decline. The house of "Dame Pintor" where Grazia Deledda has been guest many times.
    em7131692.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). On the back Tuttavista mountain overlooking the village.
    em7131668.jpg
  • Orosei, the church of the venerated Santuario del Rimedio. The sanctuary is the scene of some pages of "Canne al vento" (Reeds in the Wind). of the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize).
    em7131743.jpg
  • Galtellì village where the novelist Grazia Deledda (the first woman to win the Literature's Nobel Prize)  sets the scene for his most popular novel "Canne al Vento" (Reeds in the Wind). The belltower of the church of Saint Maria of the Towers (named also SS. Crocifisso).
    em7131702.jpg
  • Alghero. Lavorazione del corallo rosso, tipico della zona, neelo storico laboratorio artigiano di Agostino Marogna in Piazza Civica.
    em7130345.jpg
  • Alghero.Cattedrale di Santa Maria. Uno dei segni visivi più emblematici dell'identità architettonica della città  è l'ingresso posteriore della cattedrale, con le splendide decorazioni in stile gotico fiorito del grande portale.
    em7130307.jpg
  • Alghero. Via Carlo Alberto è la principale streada del centro storico. La bandiera della città ha i colori della Catalogna.
    em7130268.jpg
  • Alghero, Piazza Civica è il "salotto" della città su cui si affacciano da sempre le sedi istituzionali.
    em7130254.jpg
  • Putzu Idu, Sal'e Porcu  lagoon. Flamingos.
    em7131570.jpg
  • Riviera del Corallo. Villaggio nuragico Palmavera.
    em7130458.jpg
  • Porto Conte, uno dei porti naturali più grandi del Mediterraneo. Baia e spiaggia di Tramariglio,
    em7130418.jpg
  • Riviera del Corallo. La Grotta di Nettuno con il lago salato Lamarmora collegato da un sifone al mare.
    em7130390.jpg
  • Riviera del Corallo. La Grotta di Nettuno con il lago salato Lamarmora collegato da un sifone al mare.
    em7130385.jpg
  • Riviera del Corallo. Ingresso della Grotta di Nettuno.
    em7130378.jpg
  • Riviera del Corallo. Capo Caccia visto da Porto Conte.
    em7130371.jpg
  • Riviera del Corallo. Capo Caccia, la "Escala del Cabirol" (scala del capriolo) è una scala a rampe di circa 660 scalini "scavata" sul costone del promontorio che raggiunge la Grotta di Nettuno.
    em7130364.jpg
  • Alghero. Lavorazione del corallo rosso, tipico della zona, neelo storico laboratorio artigiano di Agostino Marogna in Piazza Civica.
    em7130350.jpg
  • Alghero. Lavorazione del corallo rosso, tipico della zona, neelo storico laboratorio artigiano di Agostino Marogna in Piazza Civica. Il genero di Agostino, Giuseppe Tilocca.
    em7130349.jpg
  • Bastione della Maddalena presso Piazza Civica.
    em7130327.jpg
  • Alghero.Cattedrale di Santa Maria. Uno dei segni visivi più emblematici dell'identità architettonica della città  è l'ingresso posteriore della cattedrale, con le splendide decorazioni in stile gotico fiorito del grande portale.
    em7130309.jpg
  • Alghero. Il campanile gotico-catalano della cattedrale di Santa Maria.
    em7130298.jpg
  • Alghero. I vicoli del centro storico hanno spesso ancora un tipico impianto urbanistico genovese.
    em7130286.jpg
  • Alghero. I vicoli del centro storico hanno spesso ancora un tipico impianto urbanistico genovese.
    em7130284.jpg
  • Alghero. Via Carlo Alberto è la principale streada del centro storico. La bandiera della città ha i colori della Catalogna.
    em7130275.jpg
  • Alghero. Via Carlo Alberto è la principale streada del centro storico.
    em7130273.jpg
  • Alghero, Piazza Civica è il "salotto" della città su cui si affacciano da sempre le sedi istituzionali.
    em7130263.jpg
  • Alghero, il porto turistico. Sullo sfondo Capo Caccia.
    em7130229.jpg
  • Alghero. Panorama del centro storico con la cattedrale di Santa Maria.
    em7130226.jpg
  • Alghero, le mura spagnole. Bastioni Marco Polo.
    em7130214.jpg
  • Alghero, le mura spagnole. Bastioni Marco Polo.
    em7130204.jpg
  • Riviera del Corallo. La Grotta di Nettuno con il lago salato Lamarmora collegato da un sifone al mare.
    em7130398.jpg
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enrico martino

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