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  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    carreteras de papel-0214151.jpg
  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214151.jpg
  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214152.jpg
  • Paul Rodgers, here with his wife, is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210425.jpg
  • Paul Rodgers, here with his wife, is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210425.jpg
  • Paul Rodgers is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210429.jpg
  • Paul Rodgers is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210429.jpg
  • San Pietro island,  Carloforte. Tonino Sanna, one of the last two shipwright of the island. Carloforte boasts a long-standing tradition of wooden boatbuilding. In the 18th century the then-uninhabited San Pietro was colonized by people of Ligurian language and ethnicity, coming from the Republic of Genoa's colony at Tabarka after it had been taken over by the Bey of Tunisia. Today most of the population has retained a variant of Genoese dialect, called Tabarchino,
    em7162183.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216356-3.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Alvaro Obregon poor district, with a great number of young people gangs (“chavo-bandas”). More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216352.jpg
  • Indian political meeting in Mexico City's Zocalo, in front of National Palace. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216351.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216378-1.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216376.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216375-1.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216374.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216369.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216365.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216359.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216357.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216356.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216354.jpg
  • Holy Week, the donkey utilised by the centurions, the main traditional authorities of the Holy Week, is beated with violence in a symbolic revenge against the "Devils forces" that for days controlled the village. The "Judios" paints their bodies simbolysing  the Evil forces and struggles in the streets looking for Jesus. Coras are a small indigenous people living scattered in the mountains of Sierra Madre Central in Mexican state of Nayarit. The Coras still follows their traditions, protecting in a very strong way their secret rites, that anthropologists believe the most interesting of Central America for their synchretism. The Holy Week, the most important religious event of the year, is characterized with impressive ceremonies. The catholic priest doesn't partecipate and the Black Centurion is the captain of Judea, the ?Jews?, the devil's militia looking for Jesus Christ to kill him. Violence is a essential part of the ceremonies and somebody can be killed in the struggles with wood swords. Today Coras are asking for help from Mexican authorities because the survival of the Holy Week is in danger for dramatic changes in Cora traditional society due to the emigration and drug wars.
    em0214070.jpg
  • Otomì indian migrants, a couple living in a abandoned house of the historical centre. The man works only sometimes. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216363.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216357.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216388-1.jpg
  • Alvaro Obregon poor district, with a great number of young people gangs (“chavo-bandas”). More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216352.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216385.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216384.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216382.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216381.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216380.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216366.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216362.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216361.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216358.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216353.jpg
  • Otomì community of Indian migrants living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216385-4.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216368.jpg
  • Copper Canyon (Barranca del Cobre). Norogachi, Tarahumara Holy Week. The “fariseos” interpretes the part of “spanish”, the Jesus Christ’s enemies. Isolated within the remote landscape of the formidabile and spectacular Barranca del Cobre (Copper Canyon) live more than 50.000 Tarahumaras, the first largest Indian people of Norhern Mexico that call themselves Raramuri, “runners”, for thier ability to run long distances. Many Tarahumaras live in caves and log cabins, down in the canyon in winter and in the highlands in summer. They still retain strong traditions, today menaced by increasing pressure from increasing desertification and drug trafficants. Still today, the most importan event is the Holy Week, celebrated for days with a unique religious synchretism of Catholicism and traditional worship.
    em0212627.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212921.jpg
  • Day of the Dead celebrations. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0213010.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the “Huehuentones”, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0213008.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212998.jpg
  • Day of the Dead celebrations, the village's market. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    carreteras de papel-0217617.jpg
  • Huautla de Jimenez. Day of the Dead, the “Huehuentones”, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    carreteras de papel-0212931.jpg
  • Copper Canyon (Barranca del Cobre). Norogachi, Tarahumara Holy Week. The "fariseos" interprete the part of Jesus Christ's enemies. Isolated within the remote landscape of the formidabile and spectacular Barranca del Cobre (Copper Canyon) live more than 50.000 Tarahumaras, the first largest Indian people of Norhern Mexico that call themselves Raramuri. They still retain strong traditions, today menaced by increasing pressure from increasing desertification and drug trafficants. Still today, the most importan event is the Holy Week, celebrated for days with a unique religious synchretism of Catholicism and traditional worship.
    carreteras de papel-0212554.jpg
  • Tehuantepec, two puppets dressed in a traditional Zapotec Indians. They parade along the streetys at the beginning of a Vela, the traditional celebrations of Indian Zapotec Women of the Isthmus of Tehuantepec.
    em0216539.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214254.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214251.jpg
  • Day of the Dead celebrations. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0217631.jpg
  • Copper Canyon (Barranca del Cobre): Norogachi, Tarahumara Holy Week. Holy Friday, Jesus Christ sepolture. Isolated within the remote landscape of the formidabile and spectacular Barranca del Cobre (Copper Canyon) live more than 50.000 Tarahumaras, the first largest Indian people of Norhern Mexico that call themselves Raramuri, ?runners?, for thier ability to run long distances. Many Tarahumaras live in caves and log cabins, down in the canyon in winter and in the highlands in summer. They still retain strong traditions, today menaced by increasing pressure from increasing desertification and drug trafficants. Still today, the most importan event is the Holy Week, celebrated for days with a unique religious synchretism of Catholicism and traditional worship.
    em0212596.jpg
  • Copper Canyon (Barranca del Cobre): Norogachi, Tarahumara Holy Week. The ?fariseos? interpretes the part of ?spanish?, the Jesus Christ's enemies. Isolated within the remote landscape of the formidabile and spectacular Barranca del Cobre (Copper Canyon) live more than 50.000 Tarahumaras, the first largest Indian people of Norhern Mexico that call themselves Raramuri, ?runners?, for thier ability to run long distances. Many Tarahumaras live in caves and log cabins, down in the canyon in winter and in the highlands in summer. They still retain strong traditions, today menaced by increasing pressure from increasing desertification and drug trafficants. Still today, the most importan event is the Holy Week, celebrated for days with a unique religious synchretism of Catholicism and traditional worship.
    em0212590.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212983.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0213001.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0213000.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212962.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212958.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the ?Huehuentones?, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212934.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212916.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212914.jpg
  • Day of the Dead, Janitzio island church. Food for the souls without relatives.  The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212909.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212904.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em2106549.jpg
  • Juchitàn: Vela (traditional celebration of Tehiana Indian Zapotec women) Biadxi, holy mass in Cheguigo chapel. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214286.jpg
  • Salina Cruz, dressing for a Vela, the traditional celebrations of the Zapotecas women of the Istmo de Tehuantepec. When the tehuanas dance floral skirts and huipiles (shirts) transform the track in a sort of magical mobile garden. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214284.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214250.jpg
  • Juchitàn, Vela Cheguigo. Tehuanas with traditional "Huipil Grande", often worn as hood. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214242.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214232.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214220.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214215.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women who often control the local economy and markets with an independent economic power reflected in their self confidence. Even in the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214211.jpg
  • Isthmus of Tehuantepec, Salina Cruz. The "mayordoma" is the most important traditional autorithy of a Vela, and a very important people in a city life. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214157.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212994.jpg
  • Day of the Dead, Janitzio island, band performing for, "Los Angelitos",  the children souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212984.jpg
  • Day of the Dead, Janitzio island, band performing for, "Los Angelitos",  the children souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212981.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212952.jpg
  • Huautla de Jimenez. Day of the Dead celebrations, Mazatec Indians cleans the tombs in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212945.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212912.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    carreteras de papel-0212908.jpg
  • Day of the Dead celebrations. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0217635.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212908.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212993.jpg
  • Day of the Dead, Janitzio island, band performing for, "Los Angelitos",  the children souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212988.jpg
  • Day of the Dead celebrations are held in veneration of the dead from sunset until sunrise the following day with candlelight in the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212957.jpg
  • Huautla de Jimenez. Day of the Dead: theMazatec Indians coming at cemetery the afternoon before the celebration. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212950.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the ?Huehuentones?, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212936.jpg
  • Oaxaca: Huautla de Jimenez. Day of the Dead: the ?Huehuentones?, performing the souls coming back, dance and plays in the streets and inside the cemetery. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide. Far away from more well-traveled tourist routes, in a Sierrra Madre mountain village near Oaxaca, women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive. In Huautla de Jimenez local Mazatec Indians still meet their long-gone friends and family in the graveyard, celebrating along with Huehuetones, mysterious masked figures representing the visiting souls from the Underworld.
    em0212932.jpg
  • Day of the Dead celebrations, Patzcuaro. The market sells ?calaveras?, skulls of sugar.  Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise the following day. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212918.jpg
  • Day of the Dead celebrations, Patzcuaro. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an ?oral and intangible cultural heritage of humanity,? is one of Mexico's most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro's lake was thought to be an important entrance to the ?Inframundo? - the Indian Underworld. During Dia de Muertos, the Inframundo's doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212911.jpg
  • Juchitàn, Vela Cheguigo. Tehuanas with traditional "Huipil Grande", often worn as hood. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214245.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214237.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214230.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214229.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women who often control the local economy and markets with an independent economic power reflected in their self confidence. Even in the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214214.jpg
  • Day of the Dead, Janitzio island, the cemetery. The celebrations are held from sunset until sunrise, with candles, food and drinks for the souls. The Dia de Muertos (Day of the Dead), recently declared by UNESCO as an “oral and intangible cultural heritage of humanity,” is one of Mexico’s most cherished traditions, celebrated in cities and villages countrywide, but perhaps nowhere moreso than in the state of Michoacan. During prehispanic times, Patzcuaro’s lake was thought to be an important entrance to the “Inframundo” – the Indian Underworld. During Dia de Muertos, the Inframundo’s doors open, and the souls of the departed return to earth to visit their earth-bound family and friends. At night in the small graveyard on Janitzio Island, illuminated only by a sea of candles, Purepecha women speak quietly with beloved departed souls at graves adorned with offerings of food, candies, liquor, cigarettes, evertything their dead  enjoyed while alive.
    em0212991.jpg
  • Tehuantepec, two puppets dressed in a traditional Zapotec Indians. They parade along the streetys at the beginning of a Vela, the traditional celebrations of Indian Zapotec Women of the Isthmus of Tehuantepec.
    em0216538.jpg
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