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  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124009.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124025.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124021.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124010.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124033.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124029.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124027.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124017.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124031.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124028.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124016.jpg
  • Selva Val Gardena. Traditional procession of the Ladins minorithy. THe Ladins of Gardena valley are well-known for they rich traditional dresses.
    em7124014.jpg
  • Cleja, Klèsza in Hungarian, traditional csango dresses. Their symbols send back to the Far East mandalas and represent the sun and earth, the water symbol of the life, the river, the stars.
    em0831451.jpg
  • Cleja, Klèsza in Hungarian, traditional csango dresses. Their symbols send back to the Far East mandalas and represent the sun and earth, the water symbol of the life, the river, the stars.
    em0831454.jpg
  • Cleja, Klèsza in Hungarian, traditional csango dresses. Their symbols send back to the Far East mandalas and represent the sun and earth, the water symbol of the life, the river, the stars.
    em0831452.jpg
  • Cleja, Klèsza in Hungarian, traditional csango dresses. Their symbols send back to the Far East mandalas and represent the sun and earth, the water symbol of the life, the river, the stars.
    em0831453.jpg
  • Salina Cruz, dressing for a Vela, the traditional celebrations of the Zapotecas women of the Istmo de Tehuantepec. When the tehuanas dance floral skirts and huipiles (shirts) transform the track in a sort of magical mobile garden. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214284.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214250.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214232.jpg
  • Isthmus of Tehuantepec, Salina Cruz. The "mayordoma" is the most important traditional autorithy of a Vela, and a very important people in a city life. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214157.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214254.jpg
  • Juchitàn, Velas (traditional celebration), a procession with many carriages. The tehuanas of the Isthmus of Tehuantepec are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214251.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em2106549.jpg
  • Juchitàn: Vela (traditional celebration of Tehiana Indian Zapotec women) Biadxi, holy mass in Cheguigo chapel. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214286.jpg
  • Juchitàn, Vela Cheguigo. Tehuanas with traditional "Huipil Grande", often worn as hood. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214242.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214229.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214220.jpg
  • Juchitàn, Velas (traditional celebrations)  of Ixtepec. Tehuanas waiting for "regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214215.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women who often control the local economy and markets with an independent economic power reflected in their self confidence. Even in the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214211.jpg
  • Juchitàn: Vela (traditional celebration of Tehiana Indian Zapotec women) Biadxi, holy mass in Cheguigo chapel. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214199.jpg
  • Juchitàn, Vela Cheguigo. Tehuanas with traditional "Huipil Grande", often worn as hood. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214245.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214237.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214230.jpg
  • Juchitàn, Velas (traditional celebrations) of Ixtepec.  "Regada de Frutas", a procession along village's streets. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women who often control the local economy and markets with an independent economic power reflected in their self confidence. Even in the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214214.jpg
  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    carreteras de papel-0214151.jpg
  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214151.jpg
  • Isthmus of Tehuantepec. Iguanas, especially in Juchitàn, ia a symbolic animal for religion, tradition and also a very popular food. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214152.jpg
  • Juchitàn, Vela San Isidro Labrador. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214207.jpg
  • Juchitàn, Vela San Vicente Ferrer. The entrance "ticket" for a Vela is a "cartòn", a case full with 20 beers. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214192.jpg
  • Juchitàn, Vela San Vicente Ferrer. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214189.jpg
  • Juchitàn, Vela San Vicente Ferrer. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214287.jpg
  • San Blas Atempa (Tehuantepec): tehuanas embroiding huipiles. This village is so-well known that buyers comes from foreign countries. The Zapotecas women of the Istmo create with their extraordinary dresses a ?living? myth. When the tehuanas dance the sones during the festivities (Velas), floral skirts and huipiles (shirts) transform the track in a sort of magical mobile garden, and every woman in a Queen. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho. It's no accident that she wore always the traditional dresses of the Istmo. But these showy trajes, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for who wears it: active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214267.jpg
  • Juchitàn, Vela de Ixtepèc, "Regada de Frutas", people waiting fruits from Tehuanas carriages. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214259.jpg
  • Juchitàn, Vela Cheguigo. A man with "Huipil Grande" often worn as hood. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representation for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching..
    em0214246.jpg
  • Juchitàn, Vela San Isidro Labrador. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214208.jpg
  • Tehuantepec, Vela Sandunga. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214196.jpg
  • Salina Cruz (Tehuantepec). Tehuanas, like gypsies women, put their fortune in heawy gold necklaces and pendants of old coins.The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214153.jpg
  • Isthmus of Tehuantepec, Salina Cruz. Daughter of a "mayordoma" (autorithy of a Vela) in a chapel. The tehuanas are the archetype of an ancient and legendary Mexico, told in the murales of Diego Rivera and impersonated also by Frida Kalho that often wore these traditional dresses. But these showy dresses, and the rich golden ornaments that accompany them, are above all an instrument of auto-representatiom for these active women which the control of the local markets confers an independent economic power that is reflected in the self confidence. Even in the development of the festivities, where the women often dance a lot among them while the men remain seated watching.
    em0214155.jpg
  • Sogno Veneziano Atelier, Giulia Russolo is specialised in handmade Venice's traditional dresses for Carnival.
    em7150290.jpg
  • Sogno Veneziano Atelier, specialised in handmade Venice's traditional dresses for Carnival.
    em7150322.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831144.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831139.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831138.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831122.jpg
  • Sogno Veneziano Atelier, specialised in handmade Venice's traditional dresses for Carnival.
    em7150326.jpg
  • Sogno Veneziano Atelier, Giulia Russolo is specialised in handmade Venice's traditional dresses for Carnival.
    em7150318.jpg
  • Sogno Veneziano Atelier, Giulia Russolo is specialised in handmade Venice's traditional dresses for Carnival.
    em7150297.jpg
  • Sogno Veneziano Atelier, Giulia Russolo is specialised in handmade Venice's traditional dresses for Carnival.
    em7150286.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831146.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831143.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831141.jpg
  • Hoteni village. Sunday with traditional dresses.
    em0831126.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216356-3.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216375-1.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216374.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216365.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216359.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216356.jpg
  • Otomì indian migrants, a couple living in a abandoned house of the historical centre. The man works only sometimes. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216363.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216355.jpg
  • Alvaro Obregon poor district, with a great number of young people gangs (“chavo-bandas”). More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216352.jpg
  • Indian political meeting in Mexico City's Zocalo, in front of National Palace. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216351.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216388-1.jpg
  • Alvaro Obregon poor district, with a great number of young people gangs (“chavo-bandas”). More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216352.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216384.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216378-1.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216376.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216369.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216366.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216361.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216358.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216357.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216354.jpg
  • Otomì community of Indian migrants living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216367.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth — Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216357.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as “embassies” for their distant villages.
    em0216385-4.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216385.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216382.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216381.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216380.jpg
  • More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216368.jpg
  • Otomì community of Indian migrants in living in the heart of Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216362.jpg
  • Triqui Indians commuity of migrants from Oaxaca. They lives in shanty towns or in abandoned old houses.  in More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City. Tenaciously clinging to to ancient traditions, they continue to have ties to their homes so strong that some researchers define these urban groups as ?embassies? for their distant villages.
    em0216353.jpg
  • Selva Val Gardena village. Also Ladins , like German minorithy of South Tyrol, have their taditional schutzen, riflemen, symbol of the local freedom's tradition.
    em7124003.jpg
  • Selva Val Gardena village. Also Ladins , like German minorithy of South Tyrol, have their taditional schutzen, riflemen, symbol of the local freedom's tradition.
    em7124008.jpg
  • Selva Val Gardena village. Also Ladins , like German minorithy of South Tyrol, have their taditional schutzen, riflemen, symbol of the local freedom's tradition.
    em7124006.jpg
  • Selva Val Gardena village. Also Ladins , like German minorithy of South Tyrol, have their taditional schutzen, riflemen, symbol of the local freedom's tradition.
    em7124002.jpg
  • Indian young farmer in Mexico City agricoltural area. More than 400.000 Indians live in the heart of the one of the largest megalopoli on earth ? Mexico City.
    em0216355.jpg
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