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  • Perugia. Piazza IV Novembre, Emirates traditional singers. In the back the cathedral and the  and Fontana Maggiore. One of the most important examples of medieval Italian sculpture. Built between 1278 and 1280 by Nicola and Giovanni Pisano
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  • Ardara,. a popular destination in Ireland, hosts the annual Cup of Tae Festival, a traditional music festival, each May.
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  • Ardara, Learning traditional Irish music in the village's school. The Donegal's fiddle singers are famous in all Ireland.
    em7211756.jpg
  • Ardara, Learning traditional Irish music in the village's school. The Donegal's fiddle singers are famous in all Ireland.
    em7211726.jpg
  • Ardara, Learning traditional Irish music in the village's school. The Donegal's fiddle singers are famous in all Ireland.
    em7211783.jpg
  • “Marinera”, a very energetic and sexual dance, a combination of Andalucian, African and Indian music.
    em1010645.jpg
  • Shannonbridge, traditional Irish misic at  the Killeens pub.
    em7212990.jpg
  • Shannonbridge, traditional Irish misic at  the Killeens pub.
    em7212978.jpg
  • Ardara, a popular destination in Ireland, Beehive pub.
    em7212770.jpg
  • Ardara, a popular destination in Ireland, Beehive pub.
    em7212769.jpg
  • Caernafon. Anglesey pub, traditional Welsh music.
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  • Caernafon. Anglesey pub, traditional Welsh music.
    em0771632.jpg
  • Paul Rodgers, here with his wife, is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210425.jpg
  • Paul Rodgers, here with his wife, is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210425.jpg
  • Paul Rodgers is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210429.jpg
  • Paul Rodgers is one of the most famous musicians of the island. Tory is famous for his Gaelic musical tradition.
    em7210429.jpg
  • Victoriano, the shaman (religious leader) of the  Guaranì Indian community of Guavirà-Poty near San Pedro, with a old violin near the Sacred House (Templo)  of the community. The violin, also revered as sacred, dates back to the time of reducciones, the missions founded by Jesuits  in the area from 1609 to the their expulsion from Latin America in 1767. Mbyà-Guaranì practice of musical traditions is very intense and unsurpassed by any other indigenous group in Argentina.
    em1411515.jpg
  • Victoriano, the shaman (religious leader) of the  Guaranì Indian community of Guavirà-Poty near San Pedro, with a old violin near the Sacred House (Templo)  of the community. The violin, also revered as sacred, dates back to the time of reducciones, the missions founded by Jesuits  in the area from 1609 to the their expulsion from Latin America in 1767. Mbyà-Guaranì practice of musical traditions is very intense and unsurpassed by any other indigenous group in Argentina.
    em1411517.jpg
  • Kalamandalam Academy near Trichur. In Khatakali the raga music through the different levels of notes express various emotions.
    em3500078 copia.jpg
  • Kalamandalam Academy near Trichur. In Khatakali the raga music through the different levels of notes express various emotions.
    em3500076.jpg
  • Kalamandalam Academy near Trichur. In Khatakali the raga music through the different levels of notes express various emotions.
    em3500077.jpg
  • Kalamandalam Academy near Trichur. In Khatakali the raga music through the different levels of notes express various emotions.
    em3500075.jpg
  • Kalamandalam Academy near Trichur. In Khatakali the raga music through the different levels of notes express various emotions.
    em3500074.jpg
  • Plaza de Armas (main square), the Mexican Navy band plays traditional music.
    em0214684-1.jpg
  • Doolin, O'Connors pub. Doolin is renowned world-wide as the traditional music capital of Ireland.
    em7214715.jpg
  • Doolin, O'Connors pub. Doolin is renowned world-wide as the traditional music capital of Ireland.
    em7214713.jpg
  • Santiago de Compostela, Musicians of a estudiantina (university students) play traditional music at night in Obradoiro main square.
    em7412227.jpg
  • Santiago de Compostela, Musician of a estudiantina (university students) play traditional music at night in Obradoiro main square.
    em7412226.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. One of its most important parts is the dance. The Valle Varaita is an important centre for the maintenance and rediscovery of Occitan traditions. They maintained many traditional dances and folklore as well as music. The sounds of violins, accordions, organs, clarinets and hurdy-gurdy (sonsaina in Occitan) are heard during traditional dances such as courento, gigo, courento di custiole, countradanso, tresso, . The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110710.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. One of its most important parts is the dance. The Valle Varaita is an important centre for the maintenance and rediscovery of Occitan traditions. They maintained many traditional dances and folklore as well as music. The sounds of violins, accordions, organs, clarinets and hurdy-gurdy (sonsaina in Occitan) are heard during traditional dances such as courento, gigo, courento di custiole, countradanso, tresso, . The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110683.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. One of its most important parts is the dance. The Valle Varaita is an important centre for the maintenance and rediscovery of Occitan traditions. They maintained many traditional dances and folklore as well as music. The sounds of violins, accordions, organs, clarinets and hurdy-gurdy (sonsaina in Occitan) are heard during traditional dances such as courento, gigo, courento di custiole, countradanso, tresso, . The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110709.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. One of its most important parts is the dance. The Valle Varaita is an important centre for the maintenance and rediscovery of Occitan traditions. They maintained many traditional dances and folklore as well as music. The sounds of violins, accordions, organs, clarinets and hurdy-gurdy (sonsaina in Occitan) are heard during traditional dances such as courento, gigo, courento di custiole, countradanso, tresso, . The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110708.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. One of its most important parts is the dance. The Valle Varaita is an important centre for the maintenance and rediscovery of Occitan traditions. They maintained many traditional dances and folklore as well as music. The sounds of violins, accordions, organs, clarinets and hurdy-gurdy (sonsaina in Occitan) are heard during traditional dances such as courento, gigo, courento di custiole, countradanso, tresso, . The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110707.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. One of its most important parts is the dance. The Valle Varaita is an important centre for the maintenance and rediscovery of Occitan traditions. They maintained many traditional dances and folklore as well as music. The sounds of violins, accordions, organs, clarinets and hurdy-gurdy (sonsaina in Occitan) are heard during traditional dances such as courento, gigo, courento di custiole, countradanso, tresso, . The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110701.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. One of its most important parts is the dance. The Valle Varaita is an important centre for the maintenance and rediscovery of Occitan traditions. They maintained many traditional dances and folklore as well as music. The sounds of violins, accordions, organs, clarinets and hurdy-gurdy (sonsaina in Occitan) are heard during traditional dances such as courento, gigo, courento di custiole, countradanso, tresso, . The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110694.jpg
  • Sampeyre. Val Varaita. The baìo (also known as "Baìo di Sampeyre") is a traditional festival that takes place every five years in the municipality of Sampeyre, in the Valle Varaita in the province of Cuneo. Tambourn major – leads the procession of Calchesio and Villar, waving a long baton in time to music. The Baìo was one of the most important and ancient traditional festivals in the Italian Alps. The tradition's origins date back to between 975 and 980, when teams of Saracens who had penetrated the valley to control the alpine passes, were driven away by the local population. The festival commemorates the expulsion of these invaders. The Baìo is composed of four parades (or "armies"), coming from the provincial capital Sampeyre (Piasso) and its three hamlets: Rore (Rure), Calchesio (Chucheis), and Villar (Vilà).
    em7110648.jpg
  • Mariachi singing traditional “ranchera” music during a “charreada”, the mexican rodeo.
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  • Mariachi singing traditional “ranchera” music during a “charreada”, the mexican rodeo.
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  • Mariachi singing traditional “ranchera” music during a “charreada”, the mexican rodeo.
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  • Mariachi singing traditional “ranchera” music during a “charreada”, the mexican rodeo.
    em0211793.jpg
  • Cleja village, Klésza in Hungarian, one of the best players of the tilinkà, the traditional  flute of this region. For the csango people music is literally part of the life.
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  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver’s girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510326.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver’s girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510317.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver's girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà's governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510329.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver's girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà's governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510324.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver’s girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510309.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver’s girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510336.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver’s girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510321.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver's girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà's governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510235.jpg
  • Creatively painted bus Diablos Rojos, Red Devils. Designs includes favorite saint, movie-star, cartoon character, driver’s girlfriend name. The government projects new and more confortable bus, but a lot of people defends traditionals, and cheapers, old bus. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510313.jpg
  • Oscar, one of the most renowned painters of Diablos Rojos, the Red Devils, the roaring multi-colored creatively painted buses that dominate Panamà City streets. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510290.jpg
  • one of the workshops where are painted Diablos Rojos, Red Devils, the multi-colored bus that dominates Panamà City streets. One of most unique aspects of Panamà City, a true cultural experience, is a fleet of buses traditionally called diablos rojos, red devils, school buses creatively transformed into works of art by their owners in a folkloric style. Many buses have paintings of religious icons, pop culture heroes, actresses, sport stars, politicians. The drivers choose their own routes and on the front of the bus is usually painted the destination. Music at high volume, poor ventilation and lack of security transform the buses in a uncomfortable transport system. In 2003 the red devils (two percent of all vehicles) caused 14 percent of traffic accidents. Panamà’s governement is trying the put end to the legend of Diablos Rojos but Panamà expresses its popular culture through the bus painting, in the way murals do for other cities, so this expression of popular art could end in few years.
    em0510298.jpg
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